marc schildge

In the matrix of this exhibition, visitors' bodies are free to navigate sensually within the gallery space. The title of this event, Créative Transmigration, may seem irrelevant, incomprehensible and illogical in the light of the works on display; yet it is in the poetry of this statement that innovative energy and the temptation of the existence of jouissance germinate.

In this social and cultural event, the decorative disorder of the installations is materialized through subjects such as a worker's accident in the workplace, a Japanese woman's wedding with two heads, (capsize, spill) a meal.

Her pictorial representations also include subjects such as car accidents, mother-daughter filiation and her female body, all painted in Indian ink on paper. The paintings on canvas are abstract - primitive with free lines and colors.

By filming different themes in sequence, the video has a project: to show us the birth of the construction of a dream in an urban environment. The photographs are image-reporters, feeding into the works, all of which have been doctored, manipulated and abused.

Here on this land, the winds and the rain fell; no sun, but a light grey floating fog. Works of art are everywhere, on the ground; in the chaos, without harmony.